1976 TV Series Premieres

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The Sullivans is an Australian drama television series produced by Crawford Productions which ran on the Nine Network from 1976 until 1983. The series told the story of an average middle-class Melbourne family and the effect World War II had on their lives. It was a consistent ratings success in Australia, and also became popular in the United Kingdom, Ireland, Netherlands, Gibraltar and New Zealand.

Los Angeles County medical examiner Quincy routinely engages in police investigations.

Beautiful, intelligent, and ultra-sophisticated, Charlie's Angels are everything a man could dream of... and way more than they could ever handle! Receiving their orders via speaker phone from their never seen boss, Charlie, the Angels employ their incomparable sleuthing and combat skills, as well as their lethal feminine charm, to crack even the most seemingly insurmountable of cases.

In the fictional town of Fernwood, Ohio, suburban housewife Mary Hartman seeks the kind of domestic perfection promised by Reader’s Digest and TV commercials. Instead she finds herself suffering the slings and arrows of outrageous fortune: mass murders, low-flying airplanes and waxy yellow buildup on her kitchen floor.

Alice is an American sitcom television series that ran from August 31, 1976 to March 19, 1985 on CBS. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start her life over again, and finds a job working at a roadside diner on the outskirts of Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner.

Best friends, roommates, and polar opposites, Laverne DeFazio and Shirley Feeney work together at the Shotz Brewery in Milwaukee and keep each other's spirits up at home.

This story is about a girl, Candy, who is a orphan. She is a nice and optimistic girl and she has a warm heart. When she was a child, she lived in an orphanage called Pony's Home. She had a good friend called Ann. And she met the "handsome boy on the hill" who is a important person in her life, on the hill behind the orphanage. She was adopted by the Loka's family. What's awaiting her are the bad-hearted Leo and his sister, Eliza. One day, in the rose garden, she met a boy, who is identical to the "handsome boy on the hill" who she had met in her childhood. The boy is called Antony. Thereafter, a fantastic story that she has never expected begins.

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The lives of the middle-class Lawrence family in Pasadena, California.

After fully recovering from her near fatal bout of bionic rejection, Jaime Sommers, the first female cyborg, is assigned to spy missions of her own.

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Second City Television is a Canadian television sketch comedy show offshoot from Toronto's Second City troupe that ran between 1976 and 1984.

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Go behind the curtains as Kermit the Frog and his muppet friends struggle to put on a weekly variety show.

A poor young woman, unhappy with her inevitable destiny as a suburban housewife, gets a job as a nanny for a wealthy family and falls in love with her employer's brother, using every trick to win him over and ultimately become the lady of the mansion. .

Each episode of this series tells the story of a famous fairy tale from all around the world. Some of them are adapted from famous books such as "The Iliad".

The title "Manana Sera Otro Dia" is the name of a Mexican telenovela. It began in 1976, with principal actors Jacqueline Andere and Eduardo Fajardo. The title in English means "Tomorrow will be another day", similar to Scarlett O'Hara's famous lines, optimistic of future victory, in the 1939 film Gone with the Wind. In the Spanish title, the accented word "será" is pronounced as "say-Rah" but often the word for day is not accented. The telenovela's runtime was 30 minutes, and it had 253 episodes. The TV series was produced in Mexico by Televisa S.A. de C.V. Viewers' reactions to the show have been highly favorable.

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.